Kevin Smith reveals the wailing sign that crept into the untouched faith

kevin smith fourth movie, creed, was full of references, to both his own films, and other things from pop culture. Whether it is “no ticket” from Indiana Jones and the Last Crusade Or Jay and Bob’s planned trip to Shermer, Illinois, the movie managed to make a world that acknowledges and mocks some of Smith’s most beloved films. One of those, it seems, was howl, although no one noticed it at the time. or since. In fact, Smith himself just revealed the reference in the last episode of his podcast, Fatman BeyondWith Mark Bernardine.

The problem arose when a fan asked about the most obscure references Smith and Bernardine have crept into their work. Bernardin said he snuck a reference to aliens in everything he ever wrote, but few people ever noticed.

“In Dogma, there’s a scene where we gather villains and the villain is going to give the villain’s speech,” Smith explained. “They’re in the bar, Jason Lee plays the Devil’s Azrael, he’s got all the chairs and he’s walking around, telling everyone how he was behind everything and such. At one point, Silent Bob, there’s Cardinal Glick’s chauffeur who we later find out was blessed…and he tells him. Azrael sees an interaction between two characters; chance tries to inspire Silent Bob to hit him with a golf club. Azrael sees him and says, “You think you could hurt me with a golf club? Get serious, I’m a demon king. Do you think you could hurt me with a bat?” So he said to Silent Bob, “Go ahead, pick it up, pick it up, come on, hit me.” He forgot the exact line but said, “Don’t you know anything?” … It’s a moment from The Howling, where he gives The other character is the gun and says, “Come on, bright boy, do it. without “Don’t you know anything?” And he turns into a werewolf, but the gun has silver bullets, and the wolf comes out.”

You can see the episode below.

Coming out 18 years ago creedAnd the howl It was a 1981 werewolf movie that started a long-running series, with several sequels, remakes, and other remakes supposed to come soon from Netflix (although director Andy Muschietti may never have done so, since his debut Sparkle It will take forever).

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