Barbara Stanwick net worth | celebrity net worth

What is the net worth of Barbara Stanwick?

Barbara Stanwyck was an American actress who had a net worth of $10 million at the time of her death in 1990 (after adjusting for inflation). Over the course of an impressive career spanning several decades, Barbara has appeared in more than 80 major films and has been a favorite of directors Cecil B. DeMille, Frank Capra and Fritz Lang.

Considered among the greatest Hollywood stars of the golden age, she has appeared in films such as “Baby Face”, “Stella Dallas”, “Union Pacific”, “Ball of Fire”, “The Lady Eve”, “Double Indemnity” and many others. By the 1960s, Stanwyck had transitioned to television, where she had hits on “The Barbara Stanwyck Show,” “The Big Canyon,” and “Prickly Bird.”

Highest Paid Actress

In the early to mid 1940s, Barbara Stanwyck was the highest-paid actress in the world. According to a federal government report, in 1944, Barbara earned $400,000 and was one of the highest paid women in the country overall. A profit of $400,000 in 1944 is the same as a profit of $6.5 million annually in today’s dollars, adjusted for inflation.

early life

Barbara Stanwyck was born as Ruby Katherine Stephens on July 16, 1907 in Brooklyn, New York as the youngest of five children by Byron and Katherine. She was of English and Scottish descent, and her siblings were Laura, Viola, Mabel and Malcolm. When Stanwyck was four years old, her mother was murdered after a drunk passenger pushed her off a moving tram. Shortly after the funeral, her father left to work in the Panama Canal and never returned. Stanwyck was later raised by her sister, Laura, who then moved through several foster homes.

career beginnings

Stanwyck got into show business in 1916 when she began touring with her sister, Laura, who landed a job as a showgirl. When she was 14, Stanwick left school and got a job packing parcels at a department store in Brooklyn. After that, she worked a filing job in a telephone office, and then worked as a clothing pattern cut for Vogue magazine. After being fired from Vogue when clients criticized her work, Stanwyck became a writer for the Jerome H. Remick Music Company.

In 1922, Stanwyck became a dancer for the Ziegfeld Follies. She performed with the band again for the 1923 season. She continued to perform as a chorus girl in nightclubs over the subsequent years. Stanwyck achieved her biggest success to date when she starred in the Broadway play “The Noose” in 1926. This led to many other roles on Broadway, including her first leading role in “Burlesque” in 1927.

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The first decade of a film career

Stanwick had his first movie starring role in 1929 in the drama “The Locked Door”; I followed it up the same year with “Mexicali Rose”. Next came “Ladies of Leisure”, the first of her many films directed by Frank Capra. Stanwyck was later on in “Illegal,” “Din’t Dance,” “Night Nurse,” “Wonder Woman,” “Blocked,” “Showburne,” and “Too Big!” and the “purchase price”. In 1933, she starred in “Ladies They Talk About”, “Ever in My Heart”, “The Bitter Tea of ​​General Yen” and “Baby Face”. The latest film, which depicts Stanwyck as an ambitious and decadent woman who sleeps her way to the top of the company ladder, is among the actress’ most famous pre-code films. She was followed by titles such as “Lady of Gambling,” “Lost Lady,” “Secret Bride,” “The Woman in Red,” “Annie Oakley,” “The Bride Walks,” “The Plow and the Stars,” and “This Is My Business.”

In 1937, Stanwyck received her first Academy Award nomination for Best Actress for “Stella Dallas,” in which she played a self-sacrificing mother. In the same year, she was in “Breakfast for Two” and “Always Goodbye”. In 1938, Stanwick starred opposite Henry Fonda in the spiral comedy “The Mad Miss Manton”. She concluded the decade with the western “Union Pacific” by Cecil B. DeMille, and the romantic sports thriller “Golden Boy” by Robin Mamulyan.

More movie career

Stanwick started the 1940s with some of her most famous films. In the first film, the romance “Remember the Night”, she starred opposite Fred McMurray. Then, in 1941, she starred in the comedies “The Lady Eve” and “Ball of Fire”, for which she received her second nomination for an Academy Award for the last film. Also in 1941, Stanwick starred in Frank Capra’s “Meet John Doe” and Wesley Ruggles’ “You Belong to Me.” Her later works were “The Lady of the Great Man”, “The Gay Sisters”, “Comic Lady”, and “Fish and Fantasy”. In 1944, Stanwick had the most famous role of her career, playing the glamorous Phyllis Dietrichson in the classic film noir “Double Compensation”. Once again, she’s been paired with Fred McMurray. For her performance, Stanwyck earned her third Academy Award nomination. Her other notable credits from the 1940s include “Christmas in Connecticut”; “audio”; “The Strange Love of Martha Evers”; “California” ; “The Two Ladies Carols”; “other love”; “cry wolf”; “BF’s daughter”; and “Sorry, Wrong Number,” which earned her her fourth and final Academy Award nomination.

In 1950, Stanwick had memorable roles in the Noirs “The File on Thelma Jordon” and “No Man of Her Own”; West “The Furious”; And romance “please a lady.” She was later on in “The Man in the Cloak”, “Clash of the Night”, “Jeopardy”, “Titanic”, “All I Want”, “Blowing Wild”, “Moonlight” and “Witness to Murder”. In 1954, Stanwyck had her most successful film of the decade with the drama “Executive Suite”. Her film career began to slow down after that, although she still had notable roles in films such as “The Violent Men”, “There Always Tomorrow”, “The Maverick Queen”, “Crime of Passion”, “Forty Guns” and Walk ‘On the Wild Side’ and ‘Rustabout.’ Stanwick’s last movie ‘The Night Walker’ was released in 1964.

TV career

Stanwyck began transitioning to the small screen as her film career waned in the 1950s. She started with her appearance on “The Jack Benny Program” in 1952, then worked as a guest host on “The Christophers” and “The Loretta Young Show”. In the latter half of the decade, she appeared in anthology series such as “Ford Theatre”, “Goodyear Theatre” and “Zen Gray Theatre”. Then, from 1960 to 1961, Stanwyck hosted her own anthology program called The Barbara Stanwyck Show. She also acted in the show, receiving an Emmy Award. This was followed by appearances in “Train Car,” “The Joy Bishop Show,” “Rough Skin,” and “The Untouchables,” among others.

Stanwick began her biggest and most famous television role in 1965, playing Victoria Barclay in the western series “The Big Valley”. She became one of the most popular faces on the small screen, receiving several Emmy Award nominations for her work, winning once in 1966. After “The Big Valley” ended in 1969, Stanwyck appeared in the 1970s TV movies “The House That Would Not Die” , “Taste of Evil” and “Letters”. Later, in 1983, she had a late career success with the mini-series “The Thorn Birds”. For her performance as Mary Carson, Stanwyck won her third Emmy. Her last role on television was Constance Colby Patterson, who made her debut in the television series “Dynasty” in 1985. Stanwyck then reprized the role in the spin-off series “The Colbys,” which ran until 1986.

Personal life and death

In 1928, Stanwyck married her first husband, Frank Fay, with whom she acted on Broadway in the movie “Comic”. Since Stanwyck was unable to have children, the couple adopted a son in 1932, naming him Dion. Stanwyck and Faye have often been at odds with each other, with Fay reportedly resorting to physical abuse. After their divorce in 1935, Stanwick was granted custody of their son. In 1936, she began a relationship with Robert Taylor, her actor in the film “My Brother’s Wife”. The two married in 1939, then divorced in 1952. Stanwyck did not marry again, but had a four-year affair with her “Titanic” star Robert Wagner, who was 23 years her junior.

In January of 1990, Stanwick died of congestive heart failure and chronic obstructive pulmonary disease. She was a regular smoker since the age of nine. Stanwyck was 82 years old.



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