A delightful encounter after some supernatural stumbles

Netflix Weird things It represents the rare example in which property not only dominates the conversation of popular culture but also receives high marks from critics. Now that it’s been nearly three years since the final installment of episodes was revealed and fan interest continues, there’s a lot riding on how fans will respond to the final season. Stranger Things 4 Production began shortly before the coronavirus pandemic halted production for several months, and while this allowed writers to craft the entire season before filming resumed, fans used to watch a new season roughly every 18 months.

This long wait means the new season is the most anticipated show on the show, yet those three years have allowed audiences to discover new obsessions, with the potential for waning passion for the narrative. Watch the first seven episodes of Weird things Season 4 is a lot like catching up with old friends, including all the forced little chatter and awkward exchanges before the dynamic falls into its familiar groove, for better or worse, while still pushing itself to get bigger, worse, and better.

It’s been six months since the Mind Flayer attacked the Starcourt Mall and our beloved heroes have split across the country. When Mike (Finn Wolfhard) goes to visit Eleven (Millie Bobby Brown) in California, a series of typical high school setbacks escalate into a reunion with a variety of threats. Meanwhile, Joyce (Winona Ryder) receives a mysterious package from Russia, which leads her and Murray (Brett Gilman) on an investigation that could uncover why Hopper (David Harbor)’s body has not been recovered from Starcourt.

Before diving into any of the actual content for Season 4, it’s worth talking to a demogorgon in the room, which is that while it’s only been six months into the series, the young cast are years older, and some of them are noticeable and distracting. Degree. Understandably, the nature of the series and real-life setbacks mean that the show itself can’t be faulted for this, and while many of the cast are considered “teens”, maturity has arrived somewhat stronger than the others and has made this season feel less connected to what came Kiss. Plus, a number of times throughout this season, with events centered around a high school with characters of this age, it can feel a bit like any high school supernatural series, and it’s a setting frequently shown in this particular genre. The dynamics of these characters and their school life, largely in how they are ostracized by their peers, are key components that must be incorporated, but given how attractive these younger characters are to the audience, Weird things It seems to lose some magic as the characters and actors advance into the lands of contemporaries.

in World Weird thingsSix months is a relatively small amount of time that has passed, but between some actors appearing older, some characters relocating to California, and others joining new social groups, the first episodes of Season 4 feel like an entirely different series. As audiences learn about these characters and items, many unexplained developments occur to break away from the series’ familiar rhythm. New additions to the cast, namely Eduardo Franco as Argyle and Joseph Quinn as Eddie Monson, were able to fit the archetype of the ’80s characters we’ve seen in other stories while we were still succeeding in putting Weird things– Spin style on them, improving a variety of dynamics.

However, since it’s become a bit of a tradition for the series, it’s as if the entire group was arbitrarily and randomly shaken up just to showcase new connections and relationships, even though it didn’t start to curdle until later in the season. The ways groups are initially broken down don’t fully improve on established formulas, so hopefully there’s some way to creator Matt and Ross Duffer’s madness that will become more apparent in the future.

One of the season’s best new dynamics is between Nancy Natalia Dyer and Robin Maya Hawk, as Steve Joe Kerry continues to entangle himself in that friendship, among others. Much of the series sees Ryder and Gilman drift apart, allowing them to shirk some of their childcare responsibilities and provide more comedic moments than is normally given to Joyce, and showcases how Gilman made a name for himself in global comedy. Sadie Sink’s Max and Brown’s Eleven take on the brunt of the season’s most dramatic and torturous elements, adding new shades to Sink’s skills as Brown continues to show how she has earned such a passionate following and critical acclaim for her abilities.

What might disappoint fans about next season is that, due to the nature of Hopper being relocated to Russia, he spends most of the season without his familiar allies and those he cares about most. Understandably, Harbor’s fascination with fashion of any age is a huge draw for fans, and while we might not get those familiar items, we’re seeing new shades of the look. Often a reliable hero, Hopper somehow manages to achieve the most intense physical feats, yet Season 4 shows a broken and turbulent shell of Hopper who, despite his efforts, must reckon with his weaknesses and insecurities. Since the first season, many fans have been hoping to see Hopper and Joyce develop a romantic relationship, which is delayed in season two as Joyce begins dating Bob (Sean Astin), and is somewhat stifled in season three by Hopper’s more toxic traits making him feel They both own me and are entitled to Joyce’s affection. When we see Hopper in Season 4, he makes clear his passion and commitment to his fellow inmates, though he’s specifically stating that Joyce isn’t his “woman,” certainly alleviating some of the fans’ fears that Hopper might be another hero who has demonstrated more chauvinistic elements to such these characters.

One of the talking points about this new season is that it focuses more on horror than previous episodes, which is evident in the season premiere. Characters are tortured and killed with severe body disfigurement, with the season’s violence entering an R-rated territory. A major component of the bloated horror is the introduction of Vecna, this season’s new villain named after his counterpart in Dungeons and Dragons. In previous seasons, the Upside Down has only been explored as a dark dimension filled with a number of brutal horrors, none of which had much of a rhyme or reason to unleash their violence in Hawkins, Indiana. Vecna ​​adds an interesting wrinkle to the series’ mix, as he’s a sensitive being who seems to have a grand plan in mind for his heinous actions, although this also marks a major shift from how we’ve previously seen threats from upside down show their brutality. It also means that there’s a giant piece of the narrative puzzle that is largely kept in the dark, making the unexplainable threat a confusing addition to the season. What probably holds back both Vecna ​​and the general inclusion of more horror-focused themes is that it never sacrifices comedy to do so, and by guiding filmmaking techniques from the ’80s, sequences that are meant to be scary can appear as The frightening, undermining elements of the intimidating Vecna. It’s a learning curve that fans have to get used to, but the contrast between humor and horror is only getting sharper in this new season, and it’s just a jarring earlier.

The first three episodes of season 4 sound like a fan fiction Weird things Compared to the actual series, we’re overwhelmed with familiar and beloved ingredients that we feel just arbitrarily remixed. Fortunately, by the time we get to Episode 4, it looks like the season really has come its way with its new character dynamics and new legends that it’s created. More specifically, the final sequence in that episode combines drama, emotions, adventure, and excitement that audiences have grown to love ever since. Weird things It debuted in 2016, delivering what is arguably the most effective sequence in the entire series. Between the danger, the cinematography, the visual effects, the narrative ramifications, and the soundtrack, it marks a turning point for a season that, up to this point, looks more like previous seasons’ homage to his own adventure. The following episodes show the filmmakers honing their craft after those initial stumbles, bringing with them some key discoveries about Hawkins’ history.

With another month to go before fans see how this season ends, there is still a chance to come out on a high note. Just as the Duffer Brothers claimed this season is focused on more horror, they also promise that this season will begin answering long-standing questions. After seven episodes, we only get small bits of information about the overall narrative, with mostly solved puzzles about items introduced only in that season. Given that Episode 7 spans 98 minutes and with reports that the final two episodes of the season clock in at four hours combined, there’s plenty of time left for the series to deliver a satisfying ending, although it’s entirely possible that it could spoil the landing. Old fans may be frustrated and unimpressed by this season’s initial episodes, but with Episode 4, everything is finding its way to deliver everything that fans have been waiting for for three years, and then some. All that the future holds Weird thingsWe hold out hope for Hawkins, as Season 4 digs through the veins of horror with all it’s worth and plunges deeper into the troubling arenas of the Upside Down.

Rating: 4 out of 5

Weird things Season 4 – Volume 1 premieres on Netflix on May 27.

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