Box office: Jurassic World Dominion debuts with $143 million

“Jurassic World Dominion” climbed to the top of the box office charts, grossing $143 million in its debut at the domestic box office.

Despite sharp reviews, the sixth movie in Universal’s Dinosaur Saga looms large during a tumultuous weekend at the domestic box office. It’s only the third time in the pandemic era that ticket sales collectively have topped $200 million, according to Comscore. This is also thanks to the continued popularity of “Top Gun: Maverick”, which is still flying high in second place.

Even with the almost deafening roar of “Jurassic World,” the beloved Tom Cruise movie “Top Gun: Maverick” remained strong, adding $50 million from 4,262 North American cinemas in its third weekend in theaters. It’s a blockbuster for any movie at this point in its theatrical path, but what’s even more impressive is pulling in those numbers at a time when “Dominion” is also delivering a major punch at the box office.

By comparison, “Spider-Man: No Way Home” grossed $56 million in its third weekend, “Doctor Strange in the Multiverse of Madness” earned $32 million in its third weekend, and The Batman with… Robert Pattinson on $36 million in his third weekend. With $50 million between Friday and Sunday (down 44% from last weekend), Top Gun: Maverick has grossed $393.3 million so far.

For “Dominion,” the initial box office returns represented a slight dip in popularity, although the big budget still made huge amounts of money. To be fair, the latest installment in the prehistoric series has some triceratops-sized footprints to live up to at the box office. “Jurassic World,” the reboot of the popular “Jurassic Park” trilogy in 2015, opened to $208 million and ended its theatrical run with $653 million in North America and $1.6 billion globally. The film’s sequel, 2018 Fallen Kingdom, debuted with $150 million – but still a staggering – and grossed $417 million domestically and $1.3 billion worldwide.

“This is an excellent opening,” says David Gross, who runs film consultancy Franchise Entertainment Research. “The comments are weak, but that has never stopped these monsters.”

More is coming…



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