The collision of history and fantasy leads to mixed results

caricature picture twentieth century menThe new series from writer Denise Camp and artist S Morrian attempts to blend fantasy and fiction in an examination of the evils of war. A note at the end of the first issue describes the series as a place where “the edges of our reality and imagination touch and overlap…then explode.” This is an accurate description, describing the exciting and frustrating elements of this new series. like history, twentieth century men Filled with stunning images and unforgettable characters, but it can also be a chore to read.

twentieth century men #1 He jumps between different wars and conflicts throughout history in order to make up his different characters. The first few pages alone take readers to Vietnam, Moscow, and Kabul, all in different decades. It’s a lot of process in such a short time and can be overwhelming in a hurry. This gets a little easier as the comedy goes on, but it never completely goes away. There is a density for twentieth century men Which many don’t want out of a comic book, especially one that evokes superhero stories.

All the leaps between wars and decades make it easy for readers to get lost in the shuffle. It makes sense why Camp didn’t want to tell a linear story, but more coherence would go a long way.

It can be hard to keep up with specific politics and relationships, but twentieth century men He has some memorable characters that still grab your attention when things get confusing. The eldest of them is Platanov, a soldier who was taken from his mother as a child and eventually put into a giant metal suit designed for the sole purpose of winning wars. His style is more Iron Giant than Iron Man and he grabs your attention any time he’s on the page. Platanov is one of those characters you think of long after you close a comic book.

The real star of twentieth century men It is S. Morian, whose art is simply stunning on every page. The painted style works incredibly well in the eras of the past that are meant to be captured in the book, and each different location or time period comes with its own unique style. The pages of Vietnam pop in bright, terrifying shades of orange, setting the tone for the entire book. A trip to Russia reminds you of Bowles’ colorful pages in The Goon. It’s wonderful to look at.

in 40 pages, twentieth century men It can be a difficult and incomplete read at times. There are a lot of things going on and not all of them are immediately interesting. But with the fantastic artwork and the possibilities in its characters, the debut offers just enough to make you want to come back for another issue.

Posted by picture caricature

on me August 17 2022

written by Denise Camp

art through S. Morian

Colors S. Morian

Messages by Aditya Pedikar

Coverage by S. Morian

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