Santiago Sierra, a Spanish artist who regularly calls controversy with his provocative pieces, designed the muddy runway for the Paris Fashion Week show in Balenciaga last weekend.
This show received critical acclaim such as The New York TimesVanessa Friedman who wrote about it reconsidering One of them is that the Sierra used 275 cubic meters of mud that it trucked in from a French swamp. Demna, the designer at the helm of Balenciaga, said the group aims to “search for truth and fall into the ground.”
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“While his couture became his experiment with Balenciaga’s legacy, ready-to-wear became his vehicle for social commentary,” Friedman wrote. “It’s not pretty out there. His Mud Club wasn’t either.”
Among the mud club attendees was rapper Yi, who walked through the mud in a huge all-black costume that included a mouthguard emblazoned with the Balenciaga logo and leather pants. Other bizarre offerings included a bulky bag with an opening large enough to pass your arm through and a matching pantyhose whose edges were printed with the fashion house’s name.
The Sierra collection seemed to indicate that even in times of conflict, beauty and innovation were possible. But Balenciaga’s warzone’s elegant aesthetic seemed to divide online observers, with some irony that it was just a test of what some were willing to put up with.
“Balenciaga is a social experiment that took a long time,” wrote a Twitter user named Kira. Mail It got 20,000 likes.
It also appears that Sierra’s post has angered some members of the art world on social media. When Neue Nationalgalerie director Klaus Biesenbach sang praises of sierra On Instagram (wrote “Make love, not war – the sign of the times”), he received a barrage of comments disapproving of this positive assessment.
“‘Make Love Not War’? By posing with one of the world’s most aggressive narcissists, a truly winning proponent dressed in fascist SWAT’s clothing?” Trader Robbie Fitzpatrick wrote in response.
“The mechanism of neoliberal globalization is working perfectly,” wrote the trader Stefan Simchowitz. “Consume everything in its path and use it to sell and sell. Like a hurricane, it will devour anything and everything in its path. I prefer Cold War Balenciaga of the 1950s.”
A host of comments on Biesenbach’s Instagram have sparked repeated allegations that the Sierra is abusing indigenous people. These accusations stem from controversy raged last year, when, at the Dark Mofo Festival in Australia, Santiago sought the blood of First Nations members. He said he intended to soak the Union flag in blood, as a comment on British colonialism. Dark Mofo has pulled the action as the shriek grows widespread.
This wasn’t Sierra’s first act to trigger an intense response. In 2018, a business called Contemporary Spanish political prisoners which included blurry images of imprisoned Catalans was Withdrew from the exhibition ARCO Madrid In Spain, she was allegedly kept out of “seeing” the other pieces on display. And in 2006, he It angered some members of the Jewish community in Germany By connecting automobile exhaust pipes to a temple in the town of Bolhen, effectively turning the synagogue into a “gas chamber”. In the end, this work was also pulled from the show.
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