History has shown that George Clooney and Julia Roberts have excellent chemistry. Both are brilliant talents individually, their styles work well against each other on screen, and there’s a connection in their timing. But how strong can that chemistry extend with a film before it breaks like a rubber band? This is the question asked and answered by Ol Parker A ticket to heaven.
The new romantic comedy is clearly designed to fit the natural liking of Clooney and Roberts, but it gets on its feet by having them play characters who are easy to despise. The entire narrative is built around how much the two protagonists hate each other, and are so unpleasant for so long that by the time they inevitably begin to cool off, everything in the plot feels completely unearned. It’s a lazy type entry screaming stars as they figure out a way to go on vacation together and get paid.
It definitely doesn’t take long A ticket to heaven To show what it is, the film begins with George Clooney David and Julia Roberts in the midst of contextless conversations with characters who aren’t interested in complaining about the other show and vomiting. We learned that they have been married for five years and separated for 20 years, and are doing everything they can not to see each other. The practice is interrupted by their daughter, Lily (Caitlin Dever), who first brings them together for her college graduation and then, a little over a month later, invites them to Bali so they can attend her surprise wedding.
Lily meets her future husband, Jedi (Maxime Potier), during her post-graduate vacation, and after 37 days of romance, she is ready to give up her planned future as a lawyer in America to be with him. David and Georgia object to the union, but it’s not so much the whirlwind nature of the relationship nor Lily’s uprooting of her life so much as their intoxication against romance in general.
The parents decide to temper their hatred for each other so they can manipulate their daughter to see things from their miserable point of view, all while taking advantage of local traditions to achieve their goals.
George Clooney and Julia Roberts play shallow and miserable characters in Ticket To Paradise.
David and Georgia would probably be forgiven if either of them had any kind of complication, but A ticket to heavenTheir scenario chose to define them entirely by their relationship to each other… despite the fact that they have been divorced for 20 years. Early on in the film, it’s established that Georgia works in (owns?) an art gallery, has a mimbo pilot friend (Lucas Bravo) – a familiar gender-switched trope – but that’s all that’s available to audiences so far as the deeper characterization relates to beyond the plot. Clooney and Roberts play empty ships driven solely by their hatred of each other, and this has been portrayed as entertainment.
As the characters are together, their collaboration with their daughter’s “Trojan Horse” only serves to exacerbate the atrocity as they attempt to exploit worn habits to spoil a night’s wedding rather than just expressing their fears. Lying about offering their blessing, stealing wedding rings, and taking Lily and Jedi to a temple said to curse unmarried couples, is seen as hideous behavior even if we like the characters, which is downright awful of these unloved fools.
Making matters worse is the fact that despite her devastating lack of lovable heroes, A ticket to heaven It sticks perfectly with the formulaic finish you’d expect to see even before the stage lights go down and the trailers start rolling. He does not win any of the conclusions in the main plot, and he insults the intelligence of the audience.
Ticket To Paradise is a good looking movie, but the natural beauty does most of the heavy lifting.
A ticket to heaven It’s certainly a nice movie – full of beautiful people in beautiful locations – but the style is directly inspired by the tourism video, and there’s no tolerance when it comes to watching rich white people on vacation take a beautiful sunrise and swim with the dolphins. A few years ago, Adam Sandler admitted that he was touched by doing some projects that doubled as odd vacations, and that sounds like an exercise with similar motivations. We hope the cast and crew had a good time, because it definitely doesn’t translate on screen.
This is a movie that would have been a hit had it been produced with a tonal shift—specifically the edge of dark comedy that would bring out all the bad of the show—but its commitment to trying to be a bright, goofy, and standard romantic comedy becomes moldy with the results. It’s a movie made exclusively for those who have unconditional love for both George Clooney and Julia Roberts because it’s a prerequisite for any enjoyment in what they do here.
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