Longtime Marvel Comics readers already know that the majority of characterization occurs within the margins of the publication line. Big events like Avengers Forever It rarely tackles anything beyond “iconic imagining” and first-rate titles that focus on a single hero such as The Amazing Spider-Man They often remain focused on an individual with decades of history. Brilliant sparks happen – like the reinvention of J. Beats as a rewarding character in all of superhero comics. This has been the story of Black Cat over the past five years as she has appeared in two short-lived series and a variety of mini-pictures and one-shots that writer Jed MacKay has linked. She’s transformed from an anti-heroic love interest in the style of Catwoman to a heroine with a unique perspective, a colorful past, and plenty of opportunities outside of Spidey’s web. Continuation of this arc in Mary Jane and the black cat This week’s #1 is just a treat for those who already follow this strip of Marvel tapestry.
This week’s release serves as a sequel to Mary Jane and the Black Cat: Beyond (In addition to referencing the latter iron cat mini) as it captures the relationship between the two women named after many notable changes. It would be enough to address Mary Jane’s new powers and her family or Black Cat’s renewed romantic interest in Peter as tensions in their friendship, but nothing comes easy in Marvel. Instead, they find themselves battling demons and being sent to Hell while the Dark Web unleashes Limbo’s forces on New York City. From the first page, there’s a lot of action to take in and readers are invested in Black Cat, The Amazing Spider-Manor the “dark web” will find plenty to catch their eye.
The story’s charm is familiar, though, as MacKay’s take on Black Cat and Mary Jane remains a definitive modern-day one. They are presented as multifaceted individuals with complex relationships. While their shared romantic bonds might create drama, they didn’t specify which pair had their own friendship on top. It comes with an abundance of good humor and a consistent infiltration of revelations and problems that move the story forward at a roaring pace.
Artists Vincino Carrato and Michael Dowling’s style on these pages is in keeping with the latest issue of Black Cat issues—emphasizing the momentum and elegance of the chic outfits that race across the rooftops of New York City. It’s an approach that underscores the exciting aspects of this adventure without exploiting the potential cheesecake in its midst (or on J’s cover). One point: this presentation ensures even readers unfamiliar with either heroine’s recent history can catch up on these pages.
The backup story, The Mask of Doctor Doom, is easily accessible and provides some much-needed humor after the diabolical events that spilled out of the “dark web”. Taking advantage of the iconic poker night gathering between heroes in Manhattan, it allows Black Cat to tell a story that spans Marvel Comics’ showtime and space. Each inscription is delightfully conjured by artist Michael Dowling whose both stunning and understated renderings allow the feature to wink directly at readers. And Mary Jane delivers the punch line making it a perfect fit for the chain link you have on hand.
Mary Jane and the black cat #1 offers readers a story that works well on three distinct levels: a short, stand-alone adventure, an intriguing connection to the “dark web,” and, most importantly, the continuation of Felicia Hardy’s rising star in Marvel Comics. A combination of stylish visuals of magic and mayhem, humorous talk, and well-developed characterizations ensure that the story works on every level and gives readers plenty of reason to come back for the second half. The only disappointment is that there will be no file Mary Jane and the black cat processing. Informed readers will simply have to keep looking for their continued exploits wherever they appear next.
posted by Marvel comics
employment December 21, 2022
written by Good Mackay
art through Vincino Carato and Michael Dowling
Colors Brian Reaper
messages by Ariana Maher
cover by J Scott Campbell
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