Spencer Perry, ComicBook.com
“Morbius It has the worst sequel taste to a movie in years, featuring a surprising conclusion that looks like a reshoot and what came before it got tangled up. Fans eager to connect with other Marvel movies and Spider-Man will be greeted with perhaps the most hastily planned attempt at a tease that will only lead to headache-inducing speculation. Spoiler alert: It only leads to confusion, even Sony doesn’t know what to do with it. The best possibility here is that none of us find out what happens next, because, frankly, who cares? “
You can read the full review here.
Clarice Loughrey, The Independent
“It cannot be described as the unfettered wild disaster that some had secretly hoped for, because that would involve a certain level of creative risk. No, this is the unflavored product of so many board meetings that director Daniel Espinosa has been pared down to Pure “content.” I’m not sure it’s supposed to work as a movie in the traditional sense. It’s a more than two-hour prequel to a post-credit scene, which happens to be one of the most quietly written annoyances ever committed. Morbius also has no end. He simply cuts the credits when everyone has had enough.”
Chris Evangelista, / film
“There is no energy to be found in the movie; nothing close to a spark. Everyone navigates through the movie as if they are suffering from a cold drug hangover. poison Not what I would call a good movie, but it was never boring. Morbius It might make you sleep.
You might say, “Oh okay.” “Are the special effects any good? Are we at least distracted by some of the big, awesome superhero scenes?” of course not. This is an ugly movie, shown in nondescript rooms and sterile laboratories. Everything is dipped in a blue color similar to Windex. There is no sense of scale – or place. If it wasn’t for the many foundational shots of the New York skyline, we’d have absolutely no idea where it was Morbius set.”
Kate Erbland, Indiewire
Even the basic elements of the movie are incomprehensible. Michael has all the semblance of a bad guy, but by the time he introduces another paper animal to someone he cares about, you have to wonder, is this guy a villain? (Leto, who is famous for his indulgence in his work, finds little here Apparently, Michael has him somehow baffled and very boring.) Even after injecting himself with bat blood serum and killing a boat full of people, his powers remain a mystery. Something, like, really good hearing?”
Peter Bradshaw, goalkeeper
With a growl, with a growl, with his face turning into a horrible nose loss from Voldemort and then back to being handsome, the Marvel super-vampire Morbius is with us. Alas, his superpowers are getting bafflingly boring. His story unfolds with all the dramatics of the screensaver and then ends – to follow. Two stings after credit and anti-smart and intended to put more attractions in the Sony Spider-Man Universe (SSU). I truly felt that all of this was a disappointment.”
Kristi Bochko, Mashable
“Cruel pace gallops audiences through decades, all over the world, and through grueling information dumps about pseudoscience, bat behavior, and backstories. It’s as if Espinosa doesn’t trust we’ll actually find this story interesting, so he doesn’t allow a moment to breathe. Or perhaps the fast pace is making up for the lack of liveliness of the cast, many of whom speak in a tired tone as if they were dragged out of bed just before filming – or perhaps the hope is that if the plot moves fast enough, you won’t have time to notice how sore the anticipation is. Every beat, and how every character is 2D. In a movie that goes from Costa Rica to Greece to New York City to “International Waters,” “this whole world contains only six characters of consequences, and most of them can be summed up in a short phrase like “mental love interest” and “An evil friend” and “The father figure is doomed to die because this is a superhero movie in only the most boring ways.”
Brian Truitt, USA TODAY
Most of the MCU movies and some recent DC movies like suicide squad are case studies on how best to present mysterious superhero characters on screen. Gonzo poison Movies know and proudly own what they are. Morbius He misses all these lessons and seems stuck among the lackluster films of the early to mid-2000s electra. Even the mid-credits scenes trying to get the role of Leto into a bigger scene end up being more confusing than great. Instead of fangs time, Morbius It’s just a fun effort for the soul.”
Megan Navarro, disgusting
The film spends a lot of time trying Morbius to control his bloodshed and manage damage control on a mortal threat, making him more powerful as a hero than an enemy or even an anti-hero. The character and duo are more confusing than the average-rated scenes. These scenes offer More character than anything before it, but also in direct contrast to the character we just met.It is as if the bigger picture takes priority over the smaller standalone elements.
In the saturated space of superhero cinema, Morbius Sitting slap in the middle. It’s not terrible, but it’s also unforgettable. Leto mistake the lack of emotion for stoicism, and it’s up to the sound effects to do the heavy lifting to give any living vampire identity or mood. Without, for example, someone like Tom Hardy embracing the character’s weirdness in poisonIt’s hard to find radical interest or muster any excitement for the vampire batman. At best, it’s a serviceable placeholder for the next part of this expanding universe. “
David Rooney The Hollywood Reporter
‘It’s a shame that these opening shots take themselves so seriously to have so much fun with the mayhem, though, as likely as Smith’s demonic role for the amusing interaction of antagonists. Arjuna carries herself with confidence but her character also gets a little lost in the carnage; perhaps she’ll gain romance The lag between Martin and Michael has more pulse in the next round. Leto sure thinks there’s a storm behind his veil of rock star hair, but the movie has very little to distinguish it from the second-tier (or maybe third?) Marvel package, which ends up being the More of the same.”
Andrew J. Salazar, film discussion
Through all the messy editing and setting up of book-by-books franchise, Morbius Perhaps the most damning recent example of how prioritizing franchise can really kill the movie. That’s not how studio filmmaking should work, and a half-job like this certainly isn’t what audiences should accept when paying ticket prices today. Moreover, Sony really doesn’t set any bar at all in the future Madame Web The movie as well. Morbius He doesn’t even brag about some of the rude traits he has given poison The films are somewhat of a cult status in the superhero genre. Perhaps the coolest thing this can give you are vampire effects, but who wants to pay to see Jared Leto fly in slow motion for two hours, I mean, unless you’re ready for that? There isn’t much left to say, other than that you’ve watched this movie dozens of times before and don’t need to watch it again. In his first comic, Teresa deserved better than that.”
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