Three museums acquire seven artworks at Expo 2022 Chicago – ARTnews.com

After a two-and-a-half-year hiatus due to the pandemic, the Chicago Expo, which opened its 2022 edition on Thursday, is making up for lost time. Last November, the gallery announced that it would expand its Northern Trust purchase award to facilitate the acquisition of three artworks for three museums: the Perez Museum of Art in Miami, the Portland Museum of Art, and the Walker Art Center in Minneapolis.

Today the gallery announced the three artworks selected by each institution to enter their permanent collections. PAMM will add a painting by artist Reginald Sylvester II, which was on display at Maximillian William Gallery, London. The Portland Museum will acquire three paintings by Nohimie Perez from the Vision Institute, a gallery with spaces in Bogota and New York. The Walker Art Center will add three works to its collection, by Adler Guerrier, and exhibited by Marisa Newman Projects in New York.

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Artist Hugh Locke.

Each of the newly purchased works has been selected from the exhibition’s exposure department for exhibitions in operation for less than 10 years. This year’s exhibition section was organized by Humberto Moro, Deputy Program Director at Dia Art Foundation in New York.

“With a strong focus on art from Latin America, the 2022 section highlights important issues of our time such as work, technology, social justice, identity politics, and environmental concerns, among many others. Northern Trust has been championing young artists and galleries,” Moreau said in a statement. Through the annual Purchase Award, which advances the careers of artists and allows their work to become part of important institutional groups.”

In a statement, Henrietta Holdish, Walker’s principal curator and managing director, who helped select Guerrier’s business for acquisition, said, “In his latest work, [Guerrier] He poetically trains his lens on nature. An exploration of the various comforts of local gardens while sheltering at home as well as the greater history of the South, his work finds rich context in Walker’s deep holdings of photography and works on paper.”

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