A native of Queens, Rose Salan is known for plucking harmless items out of obscurity to reveal them as repositories of her hometown history. One of these projects, 60 episodes discovered (1991-2021), currently as part of her presentation at the Carlos/Ishikawa booth in Frieze New York.
It’s a new iteration of an earlier project: In 2019, Salane acquired a lot of 94 episodes that were auctioned off by the city’s Metropolitan Transportation Authority. conducted a 3D examination of the rings: a jeweler who assessed their size, color, weight and shape; A biology lab extracted traces of mitochondrial DNA from the skin of objects it came across; An intuitive reader searched for spiritual relics from the previous owner.
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Dozens of episodes are shown in 60 episodes discovered It was obtained by Salane from a metal detector that discovered it over decades in the sands of Atlantic City. Once again, the artist transferred the rings between a psychiatrist and a laboratory, and the latter was asked to make a second detection of metals in the piece. Salane recorded any changes or abnormalities in The electromagnetic frequency retransmitted by the metal. The episodes were then framed, each with excerpts from an investigation at their source.
The wall-mounted installation is a wonderful meditative presentation on the mysterious life cycle of what becomes a missing item after being stripped of its meaning.
“It was important to put these methodologies, these ways of interpreting the truth together,” Salan said. ARTnews. “It is how we interpret the world on a daily basis, we wrestle with science and spirituality. These fields represent different ways in which we can assign a value to an object.”
One of the rings bears the first letter “E” in the heart; Inside the inscription reads “PK”. A note from the psychiatrist reads, “This ring is a promise ring. It shows that the people who gave it to each other are no longer together.”
Elsewhere, the results of her trials were inconclusive. Most of the rings obscured their stories. Ghost owners have remained elusive, but that’s not really surprising; How often do we try and fail to even understand the person next to us?
Intimacy here is sideways. Instead, viewers get to know Salane and her collaborators through the subtlety of their unfinished work, according to the artist. Perhaps curiosity or obsession will prolong the project, but it was motivated by empathy: the things that had been beaten deserve dignity, too.
An elegiac thread runs through Salan’s practice. For her contribution to the Whitney Biennale, 64,000 attempted trades (2021), Salane collected tokens used as fake bus fare in New York – casino chips, Monopoly money, and metal washers. It was a swift fate in a litter that was re-imported by its prestigious position.
Taken together, Salane’s art presents an inaccessible set of stories. In the hustle and bustle of an art gallery, 60 episodes discovered It invites viewers to slow down and pay attention to the subtleties of the history of an object, and to consider the city – a container of strangers – as a universe of melodrama.
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