Disturbing First Reviews of Olivia Wilde’s Psychological Thriller do not worry my love. Wilde’s follow up for 2019 Box Mart Couples Florence Pugh (Marvel’s Black Widow Duneand Harry StylesDunkirk, policeman) as 1950s housewife Alice and her husband Jack Chambers, who live in an experimental community called Project Victory. Gemma Chan (Marvel’s eternity) and KiKi Layne (If Bill Street could talk), Nick Kroll (big mouthand Chris Pineamazing woman) also starred in the much talked about movie, which had its world premiere Monday at the Venice Film Festival amid off-screen drama — including the alleged feud between Wilde and Pugh and allegations that Shia LaBeouf was. “Release” from the role of styles.
Pugh, who reveals an unsettling secret in society that seems poetic, is “reliably convincing” but leads “a thousand times over” Stepford wives knockoff ‘writes The Hollywood Reporter In the first reviews of the gun. Writes rolling rockAnd the do not worry my love It’s “a discontinued social thriller, a thirsty Valentine’s Day part—and the kind of disorientation that should cause everyone involved to worry more than a little.”
Critics praise Pugh – the Midsmar The star is “easily the most energetic and charismatic character in the film,” playing Alice “in such a fiery manner that most of the other characters seem robotic by comparison,” according to independent – But less love for what The guardian It’s called a “brilliantly designed but ingeniously worked derivative mystery cooler, effortless and derivative.”
Below are excerpts from the first do not worry my love Reviews before the movie opens in theaters on September 23.
does not depend on:”Would you worry, my dear…this isn’t the disaster some predicted—but it’s a complicated affair with some very pointed plots. Styles gives off a surprisingly lackluster, low-wattage performance like Jack. To be fair, he plays a very boring, kind character.” From Stepford’s husband… Beneath her very polished and elegant exterior, though as empty as the lives of her spoiled but headless heroes, you can understand easily enough why isn’t she so desperate to get out of society – and perhaps why some of the cast members were so wary About endorsing the film itself.
The Hollywood Reporter: “do not worry my love It’s more likely to be remembered for off-screen plots… than it is for so many other things in this many Stepford wives It stops working or gets killed. That’s not to say it’s not without great merits, chief among them a solid leadership role for the dependable Florence Pugh, who hasn’t played a woman in such great danger since Midsummer. He also scores points for allowing Chris Pine to show what a diabolical charismatic villain can be. The high-concept and low-satisfying psychological thriller represents an ambitious upgrade in Wilde’s range of character-driven upcoming comedy from Booksmart, and it handles the physical aspects of the project with confidence. It’s a shame that all the effort went into a scenario without much of the annoying freshness that debuted in 2019.”
Watchman: “Directed by Olivia Wilde, he excessively nipples ideas from other films without fully understanding how and why they worked in the first place. He spoils his own ending simply by revealing, and in doing so shows that serious script work must be done on filling in plot holes and problems in A fantastically absurd twist revealed.”
Entertainment Weekly: “Look at the plight of the new desperate housewife: she’s trapped in something – sitcom (Kevin was the same F**k), metaverse (WandaVision), or like Alice in Florence Bio do not worry my love, idyllic, sunny, suburban suburbs so dreamy it’s sure too gorgeous to be true. Unfortunately, it has also been preceded by countless other films that have explored this black mirror region before: The Stepford wivesAnd the PleasantvilleAnd the Truman Show. This familiarity drains a lot of tension and mystery lovable, a film that elevates the engaging mid-century style but is considerably less disturbed by the mechanics of coherent storytelling. …but the movie, no matter its heap of ideas about love, gender constructs, and modern life, is never beyond Stepford mood board pastiche. It’s all outrageous and wonderful, my dear, and utter nonsense at the end.”
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