Andor Showing its first episodes on Disney+, it tells the dramatic story of a hardened Rebel spy who helped uncover the Death Star’s secret and fatal weakness. The time when Andor begins is a dark time (5 BBY) – a moment when the galactic empire is at its strongest, and the spark of rebellion has yet to be ignited in a wildfire. By taking the focus away from the fantasy and philosophy of the Jedi, and placing it on ordinary people caught up in the struggle, Andor It is, by far, the most major Star Wars project the franchise has ever produced.
It begins with the kind of production that model Tony Gilroy put together. Gilroy and his cast and crew have been upfront about the fact that they will create a different kind of visual aesthetic than the one that star Wars Franchise largely adopted. In fact, this was a goal Gilroy had as long ago as directing his work rogue one. As longtime artist Neil Scanlan said, makeup effects rogue one Release in 2016:
“I have a little theory that in all of our hearts, it’s as cool and wonderful as CGI, and of course I absolutely love it, and that would make me a little controversial, but there’s something disingenuous about it… and I think there’s just something natural – something deep inside us that knows when the thing is.” Real. It might not be as perfect or fancy or amazing as the CG version might be, but it’s something you let in your heart and soul, and let your imagination make up some little specks.”
This is certainly evident in Andor’s production design. The fixed pieces and worlds presented by the show are complete and authentic; Real extras fill in the backgrounds of the shots, doing real purposeful actions; Aesthetic details are pure in making things look rusty, dirty, gritty and live on. Even details like the new B2EMO robot character with faulty power cells and speech issues are flaws that make the character and dull setup feel more real. It’s a level of production that arguably elevates Star Wars and Disney+ to prestige on par with the likes of HBO for the first time. Nothing flimsy or childish about it.
Aside from the impeccable production values, Andor has a distinct Gilroy style that’s definitely aimed more at adults, with theatrical-style monologues and esoteric dialogue between the characters. The world we look up to is also filled with the kind of moral gray that Gilroy enjoys playing in, rather than starring in good versus evil in your typical Star Wars story. Her earnest rumination about the effects of fascist rule on the population is timely – and a novel that the adult mind is clearly supposed to think of.
Finally, Andor also delivers the most literal, most adult Star Wars story we’ve seen: sex, murder, and swearing are all present in the first three episodes of Andor, which is another clear indication that the series is definitely not intended for the younger end of the Star Wars fan group. This show is for big fans, and Star Wars needs more TV shows and movies like it.
Star Wars: Andor Streaming new episodes every Wednesday on Disney+.
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