Marvel Studios has spent a decade rising to the top of Hollywood, establishing itself as the production house behind the biggest movie franchise the world has ever seen. With the changing landscape, Kevin Feige’s lead outfit has pivoted a bit, finally dipping his toes into the world of television, thanks to the advancement of streaming technology. Come Friday, the studio will once again be doing another slight centerpiece as it releases its first special presentation in werewolf at nightIncluded storyline with a showtime somewhere between a TV episode and a feature film.
Within 50 minutes you can give or take a few for credits, a group of specials find themselves in the temple of Bloodstone, hunting a monster in hopes of winning one of the most expensive MacGuffins in this corner of the Marvel Cinematic Universe. The end result is an ultra-fine product that is unique in quality.
While coordinating is a whole new concept of costume, werewolf at night It happens to be one of the most well-lubricated Marvel Machine items to date. There’s something to be said about how this machine is shaped – giving filmmakers enough freedom to tell the vast majority of the story they want to tell while making sure they keep things within the scheme that has made Marvel Studios the best ticket in town.
Except here, where the special breaks the Marvel mold. werewolf at night He tears apart her chains as Michael Giacchino rushes with his tale. Marvel’s emergence of the composer turned director at the same time ignores most Marvel brands while retaining a few quirks to please fans of the franchise.
The vast majority of the special was filmed in black and white in honor of the Universal Monsters and Hammer Horror films, which is arguably the boldest choice the production house has ever made — one that pays off. Giacchino’s unflattering appearance allows for the most adult outing with enough blood and dismemberments to raise the question of how the special got the go-ahead from the family-oriented streaming service in the first place.
Without color or having to worry about the rating desk, Marvel is able to add more blood to sword strikes, throat cuts, and beheadings where scarlet liquid traditionally flows in abundance. More blood is spilled in a swinging sequence of Daredevil Pass battles than the other outings of the franchise combined, and that’s just the beginning of the blood-soaked iceberg tip.
This special is a delicious monster mash, featuring the likes of Jack Russell (Gael Garcia Bernal), Elsa Bloodstone (Laura Donnelly), and the horrific Man-Thing, with each one sure to become a franchise favourite. Despite its featherweight runtime, the refined plot from Peter Cameron and Heather Quinn allows for a script that overemphasizes the character’s work. With the entire special event in one place, things get incredibly intimate faster than any other Disney+ outings at Marvel. In fact, one could argue the story and character work of a particular competitor to Marvel’s six-episode shows on the same platform.
Both Bernal and Donnelly excel any time they’re on screen, and given that they’re the two leaders, that’s a lot more consistent. You have the eponymous lycanthrope from Bernal who embraces the monster within with a sense of charm and acceptance, and then there’s Donnelly’s monster-hunting Bloodstone, a no-nonsense interpretation of the character that will leave viewers confused whether they’ve accidentally started an episode of Jessica Jones. Then there’s Man-Thing, a spooky version of Groot that is sure to become a favorite with both fans and Disney’s consumer department alike.
Reducing the size of the story works wonders werewolf at nightOne of the MCU’s most powerful outings in recent memory. It’s a quick watch full of action and personalized tunes. Giacchino’s ability to take this into a passionate project is made leaps and bounds with excitement emanating from the screen the second the Marvel buzz begins. It’s something that would be a great watch any time of year, but the fact that it’s being released right as we plunge into the thick of frightening seasons makes it an exceptionally exciting project.
Rating: 5 out of 5
werewolf at night Premieres on Disney+ on October 7.
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