British TV executives say they are constantly being ignored at the BAFTA TV Awards, which were held in London on Sunday.
“Congratulations to all the wonderful directors who headed up last night’s BAFTA award winning programming,” tweeted Andy Harrow, CEO of the UK Professional Screen Directors’ Association. Which managers are not consistently recognized.”
Haror continued in a tweet that despite the BAFTA’s nominee rules for nominations, which state that directors must be nominated before executive producers, directors regularly find themselves off the roster.
BAFTA rules state that you can include up to six people in your submission from “the core creative team and those who led the creative contribution to the programme,” Harrower continued. “Directors are the beating heart of any production. The rules also state that the BAFTA expects managers to be certified in submissions for both scripted and unscripted submissions. Often times, that simply doesn’t happen.”
“When accepting awards submissions and listing candidates on their website, BAFTA must ensure that their credit rules are applied. They must make sure that directors are mentioned. Every time.”
In last night’s awards review, diverse It found that at least three of the nominated shows did not leave the production team: “Moneybags,” which was nominated for Best Daytime Show; “RuPaul’s Drag Race UK”, which was nominated for Best Virtual Reality Show; and “An Audience with Adele” which was nominated for Best Entertainment Program.
“Moneybags” has nominated four executive producers, a producer and a production director, while director Olly Bartlett was excluded from the list. “RuPaul’s Drag Race UK” nominated five executive producers (including RuPaul) and series producer on director Tony Gretsch-Smith; And “Meet the Adele” nominated three executive producers, the head of direct production and the executive director of production in place of the director, Liz Claire.
Representatives of “Moneybags” producer Youngest Media, “RuPaul’s Drag Race UK” producer, World of Wonder producer and “An Audience With Adele” producer Fulwell 73 did not respond to diverse By press time.
Under the BAFTA Awards Submission Rules, the organization states that for unwritten projects, “the BAFTA Television Committee expects the producer and director to be included, followed by anyone else who has creative control over the programme.”
“Executive producers will be accepted if the candidate has a creative contribution and as long as the above credits have not been removed,” the guidelines continue.
The rules also state that “candidates will be reviewed at the point of entry.”
However, board members believe that BAFTA must do more to ensure that the rules are followed.
“It seems to me that the rules are being ignored, and BAFTA seems unable to tune them,” says Steve Smith, Graham Norton Show director and former UK CEO. “I don’t know if they don’t have the resources, but I thought the easiest thing was to check. From the nominations every time they come and go, “Is there a director there?” If there isn’t, why not? Because most programs have a director.”
While it is still an honor to be working on a BAFTA nominated show, those whose names are submitted as part of the production team receive their BAFTA Award figurine as well as a certificate. “It’s professional recognition,” Smith points out. “If only the production won the award, I don’t think you can legitimately claim to be a BAFTA award winning director.”
Harrower adds that the problem is not just BAFTA.
He said, “It is a symptom of the state of the industry where directors are not consistently recognized for their work, particularly across unrecorded and multi-camera genres.” diverse. “The issue of fair credit is not at all isolated from BAFTA nominations. Directors are a vital component of delivering the final piece – they work across departments as creative problem solvers, tailoring performances to what you see and enjoy on screen. The director’s contribution must be recognized, appreciated, and protected.”
diverse I reached out to BAFTA for comment.
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