No is widely called the most ambitious directorial effort of Jordan Peele’s career to date, so it’s no surprise to hear the first rough clip of the project taped in about four hours. Peele shot a lot of material for the film, even embracing David Fincher by filming about 20 different shots of Keke Palmer’s introductory monologue.
Peele said recently, “My editor is Nick Monsour, and he’s the guy I worked with on Us.” collider. “He’s just a smart, clever collaborator guy. The first cut, I don’t remember, feels like it was three hours and 45 minutes.”
Peele noted that the first long assembly cut was “fairly typical” and added, “Maybe it was [longer], it felt like a blockbuster blockbuster, and it was, and it’s a blockbuster blockbuster. So part of my journey in making a movie is to find the true essentials of a story, both from a plot point of view, but also from the feel and mood of it. He did an amazing job.”
Choosing the perfect shot for Palmer’s opening monologue was one of Bill’s biggest challenges in the editing room.
“I mean it gave me about 20 different readings and narrations and a choice, and it was one of those moments where you see someone displaying all the talent they’ve learned to take the written word, but also kind of like that’s why I’m going to say that was one of the hardest things to choose.”
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