One of Brazil’s most prominent and ambitious film directors, Heitor Dahlia, director of “Drained”, “Adrift” and “Bald Mountain” is teaming up with Netflix to create “DNA do Crime,” a banner title for the American broadcasting giant in Brazil, one of its largest international markets.
Described by Dahlia as “one of the biggest series ever produced in Brazil,” the eight-part scripted knife, which begins production on October 31, turns out to be a heist of epic proportions, which takes place on the Brazil-Paraguay border.
When the federal police officers are called to investigate, they discover “the beginning of a thread that, like nothing else, reveals the construction of crime in the country.”
“The series will try to open a new paradigm for this genre,” Dhaliya said. diverse. “It also speaks to the tragic flaws we all have, and our deepest nature,” he added.
Inspired by real events, “DNA do Crime” was created by Dhalia. Its initial idea was developed by Dalia and Leonardo Levis (“Brotherhood”) and editor and writer Bernardo Barcellos (“Dente por Dente”). It is produced by Paranoid Films, Dhalia label, and Netflix Brazil. Dhalia will oversee the overall direction and production of the series along with Netflix. The screenwriters are Barcellos and Bruno Passeri (“Os Ausentes”), “very talented and very experienced in the genre,” Dalia commented.
Famous Arthus author Ali Moritiba, a specialist in point-of-view (“Rust,” “Desero Particular,”) collaborated on the development of the first phase, as did Levis. The writers’ room includes David Kobe, Rosanna Rodini, Mariana Filemond, Eduardo Mello, and Guar.
Dhalia broke out with his second film Drained (2006), an obsessive drama, with Selton Mello, and then directed the father-daughter relationship Adrift, with Vincent Cassel, selected at Cannes 2009 Un Certain Regard. After the English-language kidnapping thriller “Gone” with Amanda Seyfried, he took another change of direction in writing and co-directing Bald Mountain (2013), an epic gang western thriller about the friendship torn apart by a group of greed and corruption in the 1980’s in the Sierra Pelada, The largest open-pit mine in the earth’s inferno in recent history, in the Amazon rainforest.
What Al Dhale said diverse (See below), “DNA do Crime” looks set to inherit this movie’s ambition. He is also expected to take some of his kinetic style into action scenes.
Dhalia’s latest big title comes as he has over the past decades alternated multi-part films – “Tungsten” (2018) and “Anna” (2019) – with high-profile crime series like Globo’s “Tainted” (2014), and in particular” Arcanjo Renegado,” (2020-21) for Globo’s high-end SVID service, Globoplay.
“DNA do Crime” is one of four new productions announced by Netflix Brazil on Monday, September 5th. Two more starring Brazilian comedian Leandro Hassum – the series “BO” and the movie “Meu Cunhado e um Vámpiro”. Production of a new four-part mini-series, inspired by the murder of eight homeless people, including six minors, began in 1993, outside the Church of Candelaria in Rio de Janeiro. Luis Lumina (“Minha Rua”) works as a showrunner.
Netflix Brazil also announced a sequel to “Rich in Love” and the renewal of four series: “Sintonia” Season 4, Season 2 of “Back to 15”, Season 2 of “Smother-in-Law”, and “Love Is Blind: Brazil” season 3.
The new ad, Netflix’s third in 10 months in Brazil, comes as the range of streamers like “Senna” ramps up, diversifying in genre and pushing hard towards regional and minority talent. In 2022, Netflix will invest 5 million Brazilian reals ($967,000) in training programs for local talent, partially targeting groups with low representation. Programs include a new initiative, Segundo Ato, for black and Indigenous screenwriters.
“We want our creative and production partners to have the best experience working with us to deliver amazing stories to our members. And while today’s landscapes are very different from where we started, one thing remains exactly the same: our commitment to the Brazilian creative community,” said Elisabetta Zenati, Vice President Netflix President of Brazil Content “Brazil is an essential part of our strategy.”
Here is a full version of miscellaneous Brief interview with Heitor Dalia:
What is new serial Brazilian productions? And what’s new?
This is one of the biggest soap operas ever produced in Brazil. A series about crime and borders. We are rising to an unreached place in Brazil. The series will attempt to open a new paradigm for the genre, further complicating the elements involved.
And what is its size? I think it’s Netflix’s big exciting bet in the second half of 2022…
The series covers bank robberies, city control, and brings to the scene the world’s largest bank robbery gangs. These are very complex and highly planned operations. My creative process as a director thought of all these challenges, as if we were building a chessboard, in which our lenses occupy poles and diagonals. A series about inference, investigation, and remarkable procedures.
How do you imagine the output of the episodes, in the style of the output in terms of photography, lenses, lighting, etc.
Inspired by true events, the series aims to understand the DNA of crime in Brazil and show the complexity of the country’s criminal groups, which extend to other countries on the continent. It also speaks of the tragic flaws in all of us, our deepest natures. The series also shows that the police are trying to rediscover themselves as an increasingly prepared antagonist, with growing ambitions.
The series, I believe, traces the theft to parts of Brazil’s ruling elite, including prominent political figures. It has been described as “the disintegration, unparalleled, crime building of the country”. Can you comment?
I’ve always made feature films, but for the past three years we’ve been making a very successful series about crime. I’ve always loved the genre that attracted great directors. Crime has a fascinating plot and takes us to a deep place of being human. I want to bring an autograph every time for such a great genre. I’m still interested in another type of narrative, but the massive success and recognition of the most recent work encourages me to continue to follow that line. Doing big projects for a big audience in my country and around the world encourages me to keep going.
How do you put “DNA do Crime” into your work as an author and where do you want to take your career as a director and producer?
“DNA do Crime” has high values in creativity, direction and production. We’re working in pre-production — we’ll start filming at the end of October — to elevate this investigation and crime story into an amazing series for fans of the genre.
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