Elizabeth Olsen is one of the Creative Leaders honored at Variety’s Power of Women 2022 presented by Lifetime. For more click here
Elizabeth Olsen’s film career began – explosively – with the 2011 Sundance sensation “Martha Marcy May Marilyn”, after which she co-starred in a number of independent films. But she soon noticed it, says Olsen diverse in Interview for “The Power of a Woman” cover storyit may have been bathed.
“I didn’t take it for studio movies,” Olsen says. “I asked my agent and my manager why, and they said, ‘Well, you don’t an act they.'”
So Olsen began taking so-called “public” meetings in order to expand her repertoire. While she was filming reshoots for Warner Bros. ‘Godzilla’ – which was a big studio movie – Olsen found herself having tea with ‘Avengers’ director Joss Whedon for a possible role in the sequel to his upcoming movie ‘Avengers: Age of Ultron’. Coincidentally, her “Godzilla” star Aaron Taylor-Johnson also met up with Whedon about the new characters he was planning to introduce in his follow-up to the 2012 blockbuster “The Avengers” — the Wanda twins and Pietro Maximoff, aka the Scarlet Witch and Quicksilver.
Olsen recalls that meeting: “He explained to me how they were going to use the characters—and that he wasn’t planning on presenting them in tights and a leotard gown.” (On her working relationship with Whedon, Olsen only said he was “helpful,” and she says, “I relied on him a lot, because he created the character.”) According to Kevin Feige, president of Marvel Studios, “She was the only choice for the role,” he says. Her name came up, and we all went, ‘Yeah! “
Fast-forward through six films – a middle cameo in 2014’s Captain America: The Winter Soldier, followed by Age of Ultron, Captain America: Civil War, Avengers: Infinity War, Avengers: Endgame and Doctor Strange in the Multiverse of Madness”—and Disney+’s stunning 2021 series “WandaVision.” However, Olsen’s future in the Marvel Cinematic Universe is now unclear. When fans last saw her in the May issue of “Multiverse of Madness,” Wanda dropped a castle on her when she It destroyed Darkhold, the evil book that turned her into a vengeful villain for most of the movie.
Wanda is definitely dead – and Dr. Strange (Benedict Cumberbatch) definitely thought she was, too. But not so fast, says Feige. “I don’t know that we saw Under the rubble? He says frankly. “I saw a tower come down and a little red flash. I don’t know what that means.”
When pressed for details on where Wanda might appear again – to help launch Marvel’s future “X-Men” plans, in a standalone Scarlet Witch, an upcoming “Avengers” movie, or even in “Agatha: Coven of Chaos” Disney + Part of Katherine Hahn’s favorite “WandaVision” character, Agatha Harkness – Feige objects and answers mysteriously.
“There’s really a lot to explore,” he says. “We still haven’t touched on many of her core stories from the comics.”
“I would have worked with Lizzie for another 100 years if we could,” Feige continues. But then he gave one last hint before signing. “Anything is possible in the multiverse! We have to see.”
On Olsen’s part, she said, “I don’t think any of these characters are ever gone,” and she’d love to see Wanda headed toward “some kind of redemption.” But she asserts that she does not know anything yet: “I really do not know my future. Nothing has been agreed upon.”
Ramona Rosales for Diversity
This isn’t the first time Olsen has hit a crossroads with her work in the MCU. After “Infinity War” came out, but before “Endgame” was released, she said Marvel approached her and Paul Bettany — who plays Vision, her husband — about “WandaVision.” On the show, naked Wanda, grieving over Vision’s death, holds an entire New Jersey town hostage so she can play out her fantasies of suburban life with him (and eventually, their twins).
Innovatively, the story is told through the American sitcoms that Wanda and Petro watched during their childhood in Sukovian. “Kevin wanted to play with some fun themes and ways to tell the story that they didn’t really explore,” Olsen says of how the show was envisioned. And WandaVision’s take on Disney+ — the MCU launched on the streaming device, as well as Marvel’s Phase Four — excited Olsen, because the story “could just be a show,” she says.
Olsen says Bettany spoke to Feige first and told her, “I’m really excited.” She adds with a laugh, “I also think Paul would play Vision for 45 years. Paul would never stop a thing – he would come back as a ghost if they needed him. He loves it so much!”
“But I mean, there was a version where Paul and I could say, ‘I don’t know. This seems like the kind of thing we’re afraid to do, “because Disney+ has never done anything from Marvel,” Olsen says.
However, history tells us that Olsen and Bettany agreed to star in “WandaVision”. And Feige is grateful for that. “We only had dare Try doing something like “WandaVision,” he says, “because Lizzie is such an outstanding actress.”
Olsen went into the series knowing that “Multiverse of Madness” would continue Wanda’s story where the series left off – something that pleased her. The MCU has been largely serialized since the release of “Iron Man” in 2008, but narrative renditions have been from movie to movie: “WandaVision” pushing storytelling into “Multiverse of Madness” marks a marked change. “I thought it was really interesting that they weren’t planning to pick up the world of movies where they left off, but in fact it was merging showOlsen says.
When “Multiverse of Madness” premiered last spring, Olsen caught a cold that caused her to miss her premiere. Her admission on “The Tonight Show” that she hadn’t seen the movie yet — Disney sent her an examiner with an overly intrusive watermark — made headlines at the time.
Did she see it now?
“I watched the movie!” She says – in fact, I watched it on Disney+, where it went live on June 22nd. That way, there was no distracting watermark that “could be in the middle of someone’s face in a close-up.”
“I wasn’t stubborn about it,” Olsen explains. “I was just like, ‘Okay, I want to have a better experience watching it. “It’s not the perfect way to see something that has a lot of beautiful special effects.”
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