Brendan Fraser and Darren Aronofsky have both had some notable setbacks when it comes to the comic book genre. The two men, who are collaborating on the popular indie drama “The Whale,” have opened up about their struggles during recent interviews with diverse.
Fraser spent months in Glasgow, Scotland, filming the character Firefly, who is afflicted with a campfire and confronts Batgirl’s heroine, Leslie Grace. This movie was supposed to debut on HBO Max, but was canceled, victim of the merger between Discovery and WarnerMedia, the streaming service’s parent company.
“It’s tragic,” Fraser said. diverse As part of a cover story on “Whale”. “It doesn’t engender trust between the filmmakers and the studio. Leslie Grace was fantastic. She’s a dynamo, just a spot performer. Everything we filmed was real and exciting and is just the opposite of doing a digital screen live on the green screen. They ran fire trucks around downtown Glasgow by the hour. 3 a.m. and they had flamethrowers. It was a big budget movie, but it was just stripped of the basics.”
The new leadership of the company, which was renamed Warner Bros. Discovery, said she didn’t want to spend $90 million on a movie that was meant to go live. I also felt that “Batgirl” wasn’t commercial enough to be adapted as a theatrical release and it was easier to take a tax write-off and shelve it permanently. Fraser said directors Adel Elaraby and Bilal Falah made a rough stand, but were still playing around with the film. He still has to see what they created.
“I don’t eat half a baked cake,” Fraser said. He praised the filmmakers for what he saw during production. He said, “Everything that Adel and Bilal photographed felt realistic and exciting.”
Aronofksy agreed that the cancellation of “Batgirl’s” was a “disappointment for all fans. I’m sad when the movies don’t come out there.” But he’s also had his own setbacks when it comes to making his mark on comic book adventures. In the early days, Aronofsky was planning to make a cinematic version of Frank Miller’s famous Dark Knight story, “Batman: Year One”.
“It was after Joel Schumacher’s ‘Batman & Robin’,” Aronofsky recalls. “It was a big whirlwind at the time at Warner Bros. , so I passed them an R rating, and a brief Batman origin story. The R-rated superhero movie probably came out 10 to 15 years ago with the reality of the action at that time.”
Aronofsky worked with Miller on the script, and provided an early version to Warner Bros. , which decided to go in a different direction.
“It had a promise, but it was just a first draft,” he says. “The studio wasn’t really interested. It was a very different process.”
Now, of course, movies like “Joker” and “Deadpool” are both R-rated and are very successful. So the industry, apparently, came up with Aronofsky’s vision.
“I think it’s cool,” he says. “I’ve always said, ‘Why aren’t there so many different kinds of comic book movies.’ Now there are. Our timing was just off.”
Aronofsky was also supposed to do what would eventually become 2013’s “The Wolverine.” However, right after he fell for the film, the Tohoku earthquake and tsunami hit, delaying production. James Mangold will take over as Director.
“It was really important for me to shoot in Japan,” says Aronofsky. “I think I signed up to make Wolverine, and the earthquake happened a few months later.”
He still hasn’t closed the door one day he’s making a movie about superheroes.
“I wasn’t a comic book kid, but I grew up on the big movies and I go to see superhero movies and love them,” he says. “If given the right opportunity, I would.”
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