At a press conference on the eve Mondrian. has evolvedPiet Mondrian’s exhibition at the Kunstsammlung Nordrhein-Westfalen K20 Museum in Germany, curator Susanne Meyer Boser announced that New York City 1 (1941) has been shown upside down since it first appeared in a German general publication monopoly reported on Thursday.
The first evidence that the painting is a copy of adhesive tape of the same name New York (which hung in Paris at the Center Pompidou), incorrectly hung from the artist’s studio portrait in 1944, shortly after his death, the curator said at the press conference. in the picture, New York City 1 They can be seen on the stand, with yellow, blue and black stripes tightly grouped at the top.
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Could the direction shown in the photograph be the actual direction Mondrian intended? Meyer Bowser said she asked. According to Meyer-Bosser, the picture was first shown at the New York Museum of Modern Art in 1945. There, too, the thick set of lines is displayed at the bottom of the work rather than at the top. “Was it a coincidence, was it an oversight?” It may have been flipped while unloading at the Museum of Modern Art more than 75 years ago, she said, adding.
Mayer Boozer claims to have evidence beyond the photograph taken at Mondrian’s studio. She believes that the artist would have worked from top to bottom, carefully laying strips of tape on top of each other, and weaving them together in a certain way, a feat that would be more difficult if he worked from the bottom up.
Moreover, currently at the top of the image, the tape is torn too hard and does not reach the edge of the canvas – another sign that Mondrian likely worked from top to bottom.
Regardless, the work will be shown in Mondrian. has evolvedwhich chronicles Mondrian’s stylistic evolution, the way it has been since 1945, ends up unclean, a thick pool of horizontal stripe at the bottom.
“If you turn the business around, I risk ruining it,” said Meyer Boozer, according to Monopol And besides “Maybe there is no right or wrong orientation at all?”
New York City 1 It’s not the only time the Museum of Modern Art is supposed to display the work the wrong way. In 1961, during an exhibition of Henri Matisse’s work at the museum, stockbroker Genevieve Hubert noticed paper cutting. no bateau It was hung upside down. Neither the museum staff, the 116,000 visitors nor the artist’s son, Pierre, realized this mistake.
After several visits, Hubbert bought a catalog and found out she was right, only to mock the museum staff. Then I got close to The New York Timeswhich reported cutting upside down.
Shortly after publication, the curators at the Museum of Modern Art took a second look and eventually recreated the image the right way. Mrs. Pierre Matisse told The Guardian: ‘Habert should be given a medal.’ times.
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