Koenig Gallery ends Monica Bonvicini’s “protection” representation – ARTnews.com

Berlin-based König Galerie has officially cut ties with one of its artists, Monica Ponvicini, who announced earlier this month that she had “discontinued” her relationship with the gallery amid reports of allegations against its founder.

in statement Koenig, posted on Instagram on Friday, said she was ending her decade-long representation of Bonvicini because she was facing opposition from some online. Doing so, the gallery said, was a move meant to “protect it”.

Although not directly mentioned in Koenig’s statement, Soup du Jour, a network described as an “anonymous cross-feminist network,” has released open letter Addressed to Bonvicini on Wednesday. In that statement, Soup du Jour called for more transparency regarding its placement in the exhibition.

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A white man in glasses stares into the camera lens at a party.

ARTnews He reached out to Bonvicini’s studio for comment.

Bonvicini said monopoly She was suspending her relationship with the show “until the allegations against Johann König are resolved.”

The accusations you mentioned were the first reported by die zeit in August and related to cases of alleged sexual misconduct by the dealer. Koenig himself denied the allegations, saying the report was “false and misleading.”

Koenig’s lawyers succeeded in obtaining an order from the Hamburg court to obtain die zeit amended article. The court said some of the reports could not remain online, and as a result, parts of the investigation were modified or stripped entirely. However, the court “considers that the report is admissible in crucial parts,” as stated in its decision.

The die zeit The Sternberg Press report prompted the publication of the US edition of Koenig’s memoirs blind gallerist I’m waiting.

On Instagram, Koenig Gallery said Bonvicini never left the gallery in response to the article. Now, however, after acting for a decade, the show has ended the acting.

“We believe this is the right step given the persistent rumors and reactions on social media, which we cannot refute and are limited in their nature to address,” Koenig wrote.

The news came exactly two weeks before Bonvicini, a well-known artist in Germany known for her sculptures and installations about power and sexuality, opened a show at Berlin’s Neue Nationalgalerie. Koenig Gallery specifically stated that it did not fund this exhibition.



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