“Succession” dominated this year’s Emmy nominations with 25 nominations — including 14 record nominations in acting categories, the most ever in a series. But after the upcoming fourth season, Casey Bloys, chief content officer of HBO/HBO Max, said there’s no word yet on how long the show will run after that.
These questions, ‘How many seasons do you want to go and do you have the story to tell?’ We’ll always respect our showrunners, and we’re still up high after HBO and HBO Max posted a total of 140 nominations — a new record for the company, beating HBO’s 137 singles nods in 2019,” Bloys told Variety on Tuesday afternoon. “So this is really varietyschneider Jesse Armstrong to decide. He wanted to break this season, season four, and then see how he felt. I think he’s currently deciding what he wants to do. I don’t think he wants to close anything. I think he wants to see how he feels, and I totally respect that. Whether he decides to continue or call it today is really up to him.”
When HBO and HBO Max separate, HBO still overtook Netflix in this year’s network tally — pulling 108 for HBO (up 105 for Netflix) and 32 for HBO Max. The Academy of Television chose not to include a network statistic in this year’s announcement, and Bloys said that’s okay — while maintaining his position that HBO and HBO Max should be considered one.
“We had this conversation last year,” he said. “I can’t think of another platform with the same management, the same business affairs, the same production, the same chief of programming. Everything on HBO airs on HBO Max. At the end of the day, the only thing that matters is that shows get recognized. And I think everything else It’s just kind of white noise.But regardless, it was a good day, whether you look at it individually or in combination.
As for the overall performance, he said, “I was very pleased with the amount of performances and depth.” “In other words, not one show has been dominant. We’ve had a number of shows that have done really well. I’d like to see all of our shows recognized, but it’s really nice to see a lot of them recognized and a lot of them not just passing nominations here or there but Really really deep. That’s always a great endorsement.”
Besides “Succession,” other top HBO artists include “The White Lotus,” which grossed 20 nominations (more than any limited series); “Hacks”, “Ecstasy” and “Barry”. But there was also scorn, including “gilded age”, “and just like that” and “time to win.” But Bloys chose not to dwell on it.
“You would like to see everyone’s hard work recognized. But today is not the day to worry about negativity, and I’d rather celebrate the nominations and leave it at that,” he said.
Meanwhile, The White Lotus is about to wrap up season two, and Bloys said creator Mike White has come up with a “really interesting premise. Examining a new set of characters in a different environment is really fun. So we’ll see how season two does. I Excited to put together another great cast. And like the conversation with Jesse, it’s really going to depend on, does Mike feel like he has more stories to tell or more topics to explore? And we’ll kind of cave in to him.”
Both “Barry” and “Hacks” finished their final seasons on a note that could double as the series finale. But Bloys said not to worry: Plans for next season’s performances are already ready. “A lot of the shows we’ve done over the years where we’ll have a lot of people think they wrote themselves in some corner or did it like an epilogue,” he said. “I honestly think these creators are challenging themselves where they’re going next. Every single one of these creators, I’m going to follow anywhere in terms of their stories. So if that’s how they want to end this season, I know they have great plans for the next seasons. “.
One of the biggest surprises for Bloys on Tuesday was the performance of the HBO Max limited series “Station Eleven,” a critically acclaimed sweetheart that received seven nominations. Creator Patrick Somerville is developing another title from “Station Eleven” author Emily Saint John Mandel, “The Glass Hotel,” which could be considered a sequel of sorts.
“There is no news of that at this point,” he said. “But, again, I was very pleased to acknowledge the show. Remember, it came out at the end of last year, and there have been a lot of TV shows between January and now.”
Then there is the new corporate structure, under the leadership of David Zaslav, president of Warner Bros. Discovery. Bloys declined to go into details of what might happen next, but said, “On a higher level, I’d say two things. One related to what we do creatively, David has been nothing but supportive and enthusiastic about everything we do. In terms of plans for renaming it The truth is we’re putting two software services together. So all of those conversations, how much programming from each service and what the name should be and all those conversations going on. And I think, not just for us, but the whole industry is at a point where there’s conversations across the board, how What will the broadcast look like? What does the linear look like? What is the future? I have only had support for the creative visions we bring to life, these creators.
“I would just like to yell at my team,” he added. “Francesca Orsi, Sarah Aubry, Amy Gravett, Nina Rosenstein, Lisa Heller and Nancy Abraham are our production and post-production groups, and they are our business affairs. I just want to say how impressed and thrilled I am with everything that is going on in this industry. This group just continues to focus to work and get the best offers they can get. On a day like today, I am so happy that all their hard work is appreciated.”
As for what keeps him up at night at work, Lowes cited a “post-Netflix patch. How do you make the streaming model work? How do you make it profitable? The path to profitability? That’s obviously a big mystery. This affects a lot of conversations that keep him up at night at work.” We do it.”
And of course, “Game of Thrones” comes prequel to HBO’s upcoming “House of the Dragon.”
“I would say the measure of success is the same kind of measure we use for everything,” he said of expectations. “And it is a mixture of ratings, reviews, shares, all of the above. But there is no limit to that you have to reach that many viewers or anything like that.”
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